Here are my five favorite documentary films that I watched this year and would recommend to everyone

These documentaries are well-defined and deserve everyone’s attention.

I saw many documentaries in the past couple of years, but only a few of them stayed with me—those are the documentaries that remain within your mind days after viewing something, subliminally changing the way you think of art, power, and mankind. They are never the type of films where answers are easily obtained. The following are the five documentaries that everyone should see, ranked from five to one.

5. Art for everybody (2023)

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A still from ‘Art for Everybody’ (Image: Tremolo Productions / Magnolia Pictures)

Thomas Kinkade was once the most commercially successful painter in America, known for his radiant cottages and heavenly lighting, but largely ridiculed for it as kitsch. However, this documentary about him never falls into the trap of mythologizing him for the audience or reducing him to the narrative of kitsch, either. It is the subtlety of this documentary that makes Art for Everybody so engrossing; it chooses to understand the true spirituality that Kinkade had, while also showing the true toll that it took on him. His alcoholism, repression, and private works that bordered on the grotesque challenged the tranquil picture that Kinkade had painted for millions.

4. Come See Me In the Good Light (2025)

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A still from ‘Come See Me in the Good Light’ (Image: Tremolo Productions / MTV Documentary Films)

This is, without question, one of the most emotionally generous movies of the year. Filmmaker Ryan White documents the reaction of poets Andrea Gibson and Megan Falley to an incurable form of cancer in such a loving and accessible way. Poetry is not the flourish on top; it is the method itself for survival. That is not the only powerful line from the movie, which is more about what happens when words stop meaning anything, and how poetry can temper such suffering without erasing it.

3. One to One: John & Yoko (2024)

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A still from ‘One to One: John & Yoko’ (Image: Plan B Entertainment / Mercury Studios / Magnolia Pictures)

Macdonald’s documentary is a thrilling, up-close experience with John Lennon, his wife Yoko, and his early New York years. Organized in the style of channel-surfing across the early 1970s, this documentary reveals Lennon in all his contradictions. The Madison Square Garden performances are merely markers in this documentary, though they drive it. To witness such a live, conflicted, and searching Lennon is simply exhilarating.

2. Orwell: 2 + 2 = 5 (2025)

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A still from ‘Orwell: 2 + 2 = 5’ (Image: Velvet Film / ARTE France Cinéma / NEON)

Raoul Peck’s contemplations on the matter of George Orwell might not scale the same heights as I Am Not Your Negro, but they definitely have renewed contemporary relevance. The documentary illustrates the continued importance of Orwell’s messages about totalitarian regimes, even when it wobbles slightly over the psychoanalytic genius present in 1984.

1. Riefenstahl (2024)

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A still from ‘Riefenstahl’ (Image: Sandra Maischberger Media / Lemming Film / Zeitgeist Films)

 The year’s most shocking nonfiction film. With extraordinary access to the archives of Leni Riefenstahl, this film takes up one of cinema’s most troubling questions: Is artistic greatness possible independent of guilt? The evidence of her ties to both Hitler and the 1940s German regime is incriminating, but this film defies simple decoding. Following the lead of critic Susan Sontag, this film becomes a part of the crime.

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Sumedha Chatterjee
Sumedha Chatterjee

Sumedha Chatterjee is a Delhi University graduate who studied Geography, a subject that deepened her fascination with how cultures and regions shape the way we experience cinema and art. Her love for storytelling began at an early age, surrounded by theatricals, cultural performances, and books that celebrated the art of creativity. What started as childhood wonder has grown into a passion for exploring films and expressing them through words. She strives to be a wordsmith who captures not just the craft of cinema but the emotions it stirs, weaving together thoughtful and relatable narratives.

When she isn’t writing, Sumedha can be found binge-watching The Big Bang Theory, laughing at the clever chaos of Gintama, or crocheting little pieces of joy. With every step forward, she hopes to bring fresh insight and warmth to the worlds of film criticism and cultural writing.

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