Unspoken Grief And Uncontrolled Power In Netflix’s ‘I Am Not Okay with This’

Haunted by her father’s death and her uncontrollable abilities, I Am Not Okay With This shows Sydney’s fractured world.

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A still from ‘I Am Not Okay With This’ (Image: Netflix)

We get to know that her father’s Self-inflicted death leaves a silence that weighs on her entire family, we see her mother, Maggie, who is played by Kathleen Rose Perkins, hiding her pain behind exhaustion and routine.

At the same time Sydney finds comfort in caring for her younger brother, Liam, and their bond reminds us that even amid despair, tenderness can survive.

Outside her home, we realize that Sydney’s world is held together by her friendship with Stanley Barber, who is her odd yet sincere neighbor and the only person who listens to her without judgment.

At the same time, her feelings for her best friend, Dina, played by Sofia Bryant, creates a very quiet conflict within her, as Dina is dating Brad Lewis, who is an arrogant athlete.

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A still from ‘I Am Not Okay With This’ (Image: Netflix)

Afterward, Sydney runs into an abandoned watchtower, where a shadowed man approaches her, and he tells her not to fear him but to fear “them.”

Sumedha Chatterjee
Sumedha Chatterjee

Sumedha Chatterjee is a Delhi University graduate who studied Geography, a subject that deepened her fascination with how cultures and regions shape the way we experience cinema and art. Her love for storytelling began at an early age, surrounded by theatricals, cultural performances, and books that celebrated the art of creativity. What started as childhood wonder has grown into a passion for exploring films and expressing them through words. She strives to be a wordsmith who captures not just the craft of cinema but the emotions it stirs, weaving together thoughtful and relatable narratives.

When she isn’t writing, Sumedha can be found binge-watching The Big Bang Theory, laughing at the clever chaos of Gintama, or crocheting little pieces of joy. With every step forward, she hopes to bring fresh insight and warmth to the worlds of film criticism and cultural writing.

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