Paul Thomas Anderson clears thoughts on film figures’ duty to speak on politics

One Battle After Another dominates BAFTAs as Paul Thomas Anderson avoids political red-carpet debate.

Fresh off an awards sweep at the 79th BAFTA Film Awards, Paul Thomas Anderson gave typically succinct answers when asked whether or not high-profile film personalities have an obligation to speak out on matters of politics. “I’m not a politician, I’m a filmmaker,” Anderson said when asked about the issue as he walked the red carpet Sunday night. “I try to do it through the work.

Paul Thomas Anderson wins big at BAFTA

Anderson’s latest film, One Battle After Another, which draws its narrative from Thomas Pynchon’s Vineland, won six awards Sunday night, including Best Film, Best Director, and Best Adapted Screenplay. Supporting Actor went to Sean Penn, while others went home with awards for Cinematography and Editing.

Anderson may have dodged giving an overtly political speech Sunday night, but One Battle After Another is giving an awards show speech of its own. The film tells the story of a burned-out former revolutionary, played by Leonardo DiCaprio, and his daughter as they evade a hyper-militarized government agent, Colonel Lockjaw (Sean Penn), in the sanctuary city of Baktan Cross. The film touches on matters of immigration detention and authoritarianism, an overtly political statement from Anderson, who is not typically known as an overtly political filmmaker.

The film has been characterized by critics as the most overtly political work by the director thus far, even as he himself resists the notion of being a political voice. For the director, the 160-minute narrative seems to be the politics, while the soundbite is relegated to the awards ceremony itself.

While accepting the Best Director honor, however, the director took a moment to reveal a more emotional side as he recognized his partner, the late Adam Somner, a producer on the film. The director ended his acceptance speech by quoting Nina Simone: “I know what freedom is: it’s no fear. Let’s keep making things without fear. It’s a good idea.”

Anderson, with six wins out of 13 nominations, is now a frontrunner as the Oscars near on March 15. His biggest competition is Ryan Coogler’s genre-defying epic Sinners, which currently boasts the most nominations with 16.

While the director himself may choose to speak politics into a microphone, the subject matter of his most recent film ensures that the conversation is being had.

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Sumedha Chatterjee
Sumedha Chatterjee

Sumedha Chatterjee is a Delhi University graduate who studied Geography, a subject that deepened her fascination with how cultures and regions shape the way we experience cinema and art. Her love for storytelling began at an early age, surrounded by theatricals, cultural performances, and books that celebrated the art of creativity. What started as childhood wonder has grown into a passion for exploring films and expressing them through words. She strives to be a wordsmith who captures not just the craft of cinema but the emotions it stirs, weaving together thoughtful and relatable narratives.

When she isn’t writing, Sumedha can be found binge-watching The Big Bang Theory, laughing at the clever chaos of Gintama, or crocheting little pieces of joy. With every step forward, she hopes to bring fresh insight and warmth to the worlds of film criticism and cultural writing.

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