The Last Englishman and a City in Ruins: London’s Role in ‘The Walking Dead: Daryl Dixon’
Category Featured
How ‘Alien: Earth’ Twists Peter Pan’s Shadows, Expands Humanity’s Dark Frontiers, and Lets a Barefoot Disruptor Lead the Way
Guillermo del Toro Reveals Why ‘Frankenstein’ Is Both a Monster and a Miracle At TIFF
James Gunn’s ‘Clayface’ Is Set To Be Dark, Twisted, and Unforgettable
Tokyo Film Festival to Open with Junji Sakamoto’s ‘Climbing for Life,’ a Biopic on Everest Pioneer Tabei Junko
‘Nuremberg’ Premiere at TIFF Sparks Oscar Talk as Russell Crowe Delivers Career-Best Performance with Rami Malek
Rian Johnson’s ‘Wake Up Dead Man’ Turns the Churchyard into His Darkest ‘Knives Out’ Yet
With ‘Franz,’ Agnieszka Holland Turns Her Outsider’s Eye on Kafka, But the Vision Falters
The Force Is Expensive as Darth Vader’s Lightsaber from ‘Star Wars’ Sells for $3.65M
Greg Daniels on Why ‘The Paper’ Isn’t an Office Reboot And Why That’s a Good Thing
